Manufacturer |
Model |
Overall |
Comments |
Aurora |
Style |
5 |
The Aurora style, list
price $50.00 as of 7/03, street price as low as $35, for the black/chrome
cap model, is a great pen for the price. The pen has NEVER skipped, and
always starts right away. The drawbacks to this pen are:
1) Cap does not post very securely. But I do not write with cap posted.
2) The nib has no flex, for those out there that want a flexible nib, this
is not your pen. I don't care about the flex, as I use a lot of carbon
copies.
3) It is a light pen, so for those that desire a heavier pen, this may not
be it.
It is now the pen I use daily, with waterman havana ink. |
Aurora |
Ipsilon |
4 |
Reviewing a fine nib. It
is smooth, yet not smooth. Has some "scratchiness", but in a pleasant "road
feel" sort of way. The nib writes the same across even the most discerning
of papers (Protonix prescription pads) without any resistance. Upstroke,
downstroke, horizontal strokes -- never any resistance. I like the writing
better than the Pelikan M200. A great under-$100 pen. |
Aurora |
Talentum |
1 |
Returned for a refund after 2 days. Leaked. Refused to start. For one
quarter of the price I got a Pelikan M200, which is excellent. |
Cross |
Century II |
3 |
Skips a
lot with cross ink. |
Cross |
Radiance |
4 |
Extremely smooth writing
pen. It's a Medium point which is much like a Sheaffer or Parker fine. I
like it a lot. The pen feels very good in the hand and performs flawlessly.
|
Cross |
Townsend |
2 |
This is an incredibly
heavy pen, especially with the cap on. It writes fairly well, but has
developed a leakage problem with the converter after about 3 years. |
Hero |
100 |
5 |
It's a brand new
aerometric Parker 51, as good as the original, with a spring clip, for less
than the price of a Sonnet! What's not to like? |
Hero |
329 |
2 |
Looks
great, similar to Parker 51, but only comes with a fine nib, which tends to
be scratchy. Aerometric filler fills easily on this inexpensive pen.
|
Lamy |
Al-Star |
5 |
Very nice pen, for its
price, writes good, grip comfort and balance are top of the hill. Well done
Lamy! |
Lamy |
Al Star |
4 |
The
Lamy Safari/Al Star line is excellent, hard to find a better pen for the
money. |
Lamy |
Al Star |
5 |
Excellent pen for the money, unique look, doesn't try to copy anything else. |
Lamy |
Logo |
4 |
The Lamy Logo, list
price $45.00 as of 7/03, street price as low as $22.50, for the stainless
steel model, is a decent pen for the price. The pen doesn't skip, writes
pretty smoothly, and always starts. The medium nib lays down a fairly wet
line, and the nib runs a bit wide for my taste. The drawbacks to this pen
are:
1) The nib has no flex, for those out there that want a flexible nib, this
is not your pen. I don't care about the flex, as I use a lot of carbon
copies.
2) It is a light pen, so for those that desire a heavier pen, this may not
be it.
3) The pen is on the thin side, so those that like wide sections or barrels,
this is not your pen.
I don't use it as often as my Aurora Style, though, but it's not bad for the
money. |
Lamy |
2000 |
5 |
Great pen! A true
classic! |
Lamy |
2000 |
2 |
Overall, this pen has
been a disappointment. I bought it because it seemed at first glance to be a
durable, relatively light pen with a broad barrel. Also it was my first
foray into the world of gold-nib pens, having used the Waterman Phileas and
Schaeffer Triumph in the past.
However, this pen is hard to grip because the nib end of the barrel is so
sharply tapered. In effect, it is a very narrow pen when held in a writing
position. It also seems poorly balanced when posted. Together, these factors
have made for a tiring writing experience. (I sometimes write up to 60 pages
of longhand per week.) The other difficulty is that it distributes ink
inconsistently. Ink flow rarely starts on the first try, and it skips when
writing quickly.
The good points? Well, the nib is smooth, the appearance is attractive, and
the finish quality seems excellent.
Overall, though, I think there are much better fountain pen values
available. |
Levenger |
LS3 |
4 |
This is a very nice,
hefty pen. Ink flow was a problem, but somehow fixed itself. Nib is very,
very stiff, but somehow adapts to the user. The nib adapts on this pen; ink
flow is much, much better after my friend used it for a day or so. Actually,
since he has used it, I have never had ink flow problems. For some reason,
the pen makes you always want to write in cursive. Overall, a definite
keeper; I love it. One of those "no worries" pen that you don't have to be
scared of throwing around. |
Levenger |
Sangria |
3 |
Neat little pen set but
not worth what Levengers is charging in their catalogue. I paid $20.00 for
the set ball point and cartridge fountain pen by ordering over the phone
from Levenger and by doing so I was informed it was on special but it was
unadvertised. No converter but it looks like it could take one or use the
long Waterman carts. A neat pen set for $20.00, the ball point is not bad
and will take a Parker Gel refill which is a plus. The model I chose was the
clear cap and grip. The pens have a section that has a grippy plastic or
rubber textured grip that matches the cap. Once started it tends to write
well but as with virtually all cheap cartridge pens they can be very balky
unless stored horizontally. It would probably work better with a converter
and some Private Reserve ink rather than Levenger cartridges which I find
tend to foul nibs and feeds if the pen is not used for sometime. |
Levenger |
True Writer |
1 |
Ink
kept stopping; nib finally broke! Could it have been the Levenger's Ink
(brown) which has also been a problem in my normally reliable Parker pen? |
Levenger |
Verona |
4 |
The Verona looks to be a
version of the Stipula I Castoni. It is a gorgeous pen that writes well with
the right (thin) ink. |
Montblanc |
Generations |
2 |
It seems that Mont Blanc
tries to make corporate jewelry rather than writing instruments. The
Generations is an improvement over the Meisterstuck, but the writing
smoothness is poor. |
Montblanc |
No. 142 |
1 |
My biggest
disappointment in a fountain pen. It is a balky writer that spreads ink
poorly. Probably my most expensive of 20+ fountain pens, I use it very
rarely. |
Montegrappa |
Extra |
5 |
Italian luxury, but with
a touch of German Pünktligkeit und Solide build. The red celluloid sparks
and gets a lot of comment by non-FP users. semi-flexible nib and smooth rich
ink flow |
Montegrappa |
Extra |
3 |
The Montegrappa Extra is
big celluloid pen with a notably huge nib and sterling silver section and
trim. The celluloid is quite beautiful, mine is the red one. The nib and
sterling silver section are the most amazing aspect of this pen though. The
nib is massive and beautiful to behold. To write with mine (a medium) is
pretty smooth, quite soft (rather than flexible) and lays down a very wet
line. I wouldn't say it knocks my socks off though. Also mine doesn't always
start first time and is quick to dry out (like many Monties so I'm told). It
has a hand turned ebonite feed, which is also massive and makes the one on
my OMAS look a bit pedestrian. The pen is hefty, and the cap takes an age to
screw on or off, but posts fairly securely. I love my Extra but probably
more as an object to admire than to use as a writing instrument. |
Montegrappa |
Extra |
4 |
A very good pen, I
have (also had) lots of other pens, Montblanc 146, 149, Mozart, Waterman
Edson, Serenity, Pilot Capless, Parker 75, 95, Duofold, Omas 360 (the white
whale), but I stopped
collecting. I found the Pilot Capless useful for daily writing in the office
and use the Montegrappa Extra (blue) for writing the bigger pieces, letters,
starts of essays etc. It's flex. nib, it's comfortable weight, always
starting nib (use Herbin "ink for man" black, great ink, could buy a 1 liter
(~2 pints) bottle of the stuff
for a 65 euro ~$62), and a good securing cap (4x 360 deg. turn!) The weight
of the pen is considerable, when worn in a shirt pocket, you don't clip it
in the middle of the pocket, but on a side it will
work well. Many non-FP-ers are astonished by the pen, they like it, find it
impressive, even in the "dull" black/blue version. |
Namiki |
Falcon |
5 |
The
best nib I have used, very flexible, very smooth. Great ink flow from the
converter. Great pen to sketch with. |
Namiki |
Vanishing Point |
5 |
I ordered
my VP choosing a broad nib after reading that the nib size was
Asian and that a broad would be equivalent to a
medium in other brand. It does look right. I filled it with platinum black
ink with the converter and the writing in the smoothest I ever experienced
with a FP (my previous "smoothest" was my Duofold
international). The look in blue carbonesque is great. The balance and
weight make it an easy writing pen. Overall this is a great pen. |
Namiki |
Vanishing Point |
5 |
Excellent build quality, very smooth. Medium nib runs very fine. |
Parker |
Duofold |
5 |
I am very impressed with
the Duofold. Obviously a classic design based on the 1920s Duofolds. Nibs
are extremely smooth, but without much character. Pearl designs are
beautiful. Balance is excellent and the Centennial design fits perfectly in
my hand. I do find the International size too small. Overall a great pen,
especially in the Centennial size.
(The LEs are often very pretty) |
Parker |
15 (Not a typo for 51) |
5 |
I am 11 years old, and
this is the first fountain pen that was completely mine (I was the first
owner.).I LIKE the simple look of this pen. for a picture, visit
http://www.parker.gr/engparker15.html |
Parket |
Frontier |
5 |
My
Frontier is a Flighter - I have a thing for the all-metal look. I
like this pen as a writer a lot better than my Aurora Idea Flighter (which
is also very nice), and it is only $33.00 US. The pen writes very smoothly -
compared to the Aurora Idea it is a nicer experience. This is my favorite
take-anywhere workhorse. |
Parker |
Reflex |
4 |
This is a $7.00 pen, and
with a steel tip and plastic body, works amazingly well. I put a $5.00
converter in it and run Aurora black ink, and it runs pretty well. I like my
Frontier Flighter better, but for the money, you can't go wrong.
http://www.parkerpen.co.uk/range_popup.php?ID=13 for a quick look.
|
Parker |
Sonnet |
2 |
This is a frustrating
pen in that the writer has to adapt to the flexible nib which spreads some
inks well, but many others poorly. |
Parker |
Vector |
4 |
A pen with price tag
similar to a simple BIC ballpoint. Clean minimalist looks. Great cap
locking, no screwthreads. Great for writing notes
at courses. Small price makes it expendable. A medium nib is almost too
thick for my taste, but I guess that's Parker.
|
Pelikan |
M200 |
5 |
Excellent pen for the money. Love the piston filler. Seems to always start
with no trouble. Not good if you have large hands...a little short. |
Pelikan |
M200 |
5 |
It is a beautiful pen,
and even my wife said so. She hates to write in FP, but she actually wants
this one. Sometimes it fails to start immediately in the first stroke, but I
suspect it was due to the paper's quality. I love the somewhat flex nib,
although not much. |
Pelikan |
M400 |
5 |
Very good celluloid
barrel. Great Flow.
Great for my small hands. Nib is on the semi-firm. |
Pelikan |
M400 |
5 |
the m400 is my
all-day-writing-machine. i have it all the time in my daypack, sometimes
together with the m620 san francisco. i searched a pen with a great nib and
a good prize. i tested lamy (quite inovative pens, but the nibs are very
broad and bit characterless, if you have pelikan-nibs in use), montblanc
(bad image and too expensive), waterman (i have an man100, great pen, but
nowadays waterman seems to have problems and they have no design-concept,
which makes a waterman to a waterman). and i tested one pelikan m400 with a
medium-nib. there have been some starting problems with the nib on same
papers, but they lasted just some weeks. today i use the pen every day and
enjoy the red stripes. there are not so many people who love them, most buy
green-stripes. but at all, this pen could be one like turquois-shell: just a
few people buy them. and once, they are not sold any longer, everyone wants
a pen in red-stripes. the handling of the pen is quite well, but not as good
as the handling of the 620-special-city-edition.
torsten larbig
frankfurt/main
|
Pelikan |
M400 |
5 |
I own
many cheap pens and a few that cost several times as much as the M400. I
have yet to run across a finer pen than the M400. This is simply a world
class fountain pen worthy as an everyday user, and you can pick one up for
under $150 US. |
Pelikan |
M600 |
4 |
A light-weight pen made
for smooth writing for long periods. It shares the same nib as the M400, but
would look better with a slightly larger nib. The nib doesn't have the flex
of its bigger brothers and is a slightly drier writer. |
Pelikan |
M620 (SF) |
5 |
i saw the pen in a
store. i loved it at once. the reflection of the brown/green/grey surface,
the weight, the smoothness of the nib. it seems to be the only chance to get
a 600 with a 18k-nib. the pen is part of the special edition cities an is not
longer sold by Pelikan. but some shops may have it or the have an other pen
of this edition, although in my eys the surface of the san francisco seems
the most beautiful one. the writing-smoothness is icredible good. i love it,
like i like most of my Pelikan.
torsten larbig
frankfurt main |
Pelikan |
M400 |
5 |
Simply an excellent pen,
although it does not always start smoothly |
Pelikan |
M800 |
4 |
Impeccable at the price |
Pelikan |
M800 |
5 |
The M800 is my favorite
pen and I recommend it to all without any reservations. It is worth the
price |
Pelikan |
M805 |
2 |
2
Nibs from Pelikan (1st medium--very scratchy, 2nd broad---scratchy and no
flex) Will get 3rd replacement. |
Sailor |
Magellan |
5 |
A very smooth and
comfortable pen, both in the Japanese medium nib and Japanese broad nib. |
Senator |
Windsor |
5 |
This fountain pen is a
great writer. It has no skip problem and writes very smoothly. |
Sensa |
Meridian |
4 |
Sensa really packs their
nice box with a lot of things... a nice pen pillow, 6 ink cartridges,
converter, lifetime warranty. The nib looks too small for the pen. The grip
(plasmo-gel thingy) takes a little getting used to on a fountain pen; I tend
to slightly rotate the writing angle often, and doing so feels weird when
the gel has shaped itself to your fingers... may be better suited for
ballpoints. Not a bad pen, but not perfect. |
Sheaffer |
Balance II Black |
4 |
I use this pen every day
and consume about 4 bottles of ink per year. I had to exchange the nib but
the service at Shaeffer was very good. The new medium lifetime nib was good,
although I had to use a 1 micron carbide smoothing paper to get the level of
writing smoothness that I wanted.
|
Sheaffer |
Imperial |
3 |
Good
pen for the price. Typically new old stock for most retailers. Sending for
an exchange dues to starting/skipping but very smooth. |
Sheaffer |
Prelude |
5 |
Excellent value at $25 |
Stipula |
Novecento |
4 |
Fine-looking pen. I have
written with several Stipulas, and it appears that the nibs require a
break-in period. The Novecento features the same large nib that is found on
the Duetto and Etruria. This nib is known to be quite flexible. My broad is
less flexible than the medium nibs I have written with, but the lines are
wet and full of character. As a general rule, Stipulas leave a thick wet
line. Stipula's medium nib will leave a line similar in thickness to
Pelikan's broad.
Overall, the Novecento is a great pen. I highly recommend it. |
Visconti |
Skeleton |
4 |
Great looking pen; just
had to have this with the cutout filigree design.
I like using it, comfortable writer, in fact a truly excellent flex nib for
a 14 k. Easier to hold than my Parker 75 which I am finding a bit small.
Dislike / major flaw is the fill which does drip a bit until a fair bit of
ink is let out. By comparison, my Pelikan M800 on filling needs to have
about 5 drops put back into the bottle then it is fine (ie won't drip if you
flick it); the Skeleton needs about 20 drops out then it is fine. So you
lose a bit of ink capacity. If it was the same pen with a pelikan fill
system then it would be a world beater. But a small price to pay for a
really striking looking pen, attracted a lot of comments; and great value at
the price. Visconti overall have done a great design job. |
Waterman |
Charleston |
5 |
Once broken in, this is
a pen you can use all day. It has the typical Waterman reliability, but with
a lot more flair than most of their pens. |
Waterman |
Edson |
5 |
Simply stunning! No
other pen I own or have tried has as many of the excellent characteristics
that this one has. |
Waterman |
Harley |
4 |
Cool look, large size.
The radical body form very well executed. Excellent fit and finish. Rather
top heavy when posted. |
Waterman |
Hemisphere |
4 |
The
full-steel version is very heavy. Posting the cap significantly shifts
balance to the rear and therefore cannot be recommended. |
Waterman |
Expert II |
5 |
An excellent value pen
with conservative good looks. It also writes dependably, but gets heavy in
the hand over time. |
Waterman |
Liaison |
4 |
Blk laquer model. The
nib is reminiscent of the old Sheaffers. The nib unscrews by twisting far
end of barrel which is a little different, but works. The pen is well
balanced posted or not, but is heavy with the laquer. Fine nib is extremely
smooth. No startup problems ever even after 15-20 min uncapped and no
writing. Cap doesn't click when posted (untypical of Watermans) and although
it is still secure, suspect will damage lacquer over time. Even though gold,
nib not very expressive, which is not v. important to me. The fine nib
writes smoothly which is most important to me. No complaints except maybe a
little on the weight. Love the twisted rope accent - nautical and classy. |